Pesquisando por: "Drapery studies" - Fotoarena - Agência de fotojornalismo

PAR386910 INDIA. Delhi. 2010. Safia, a radio-jockey at work in the live studio at Radio Mirichi in Delhi.

alb2019348 Jean Auguste Dominique Ingres / 'The Valpinçon Bather', 1806, Oil on canvas, 146 × 97,5 cm, RF 259. Museum: MUSEE DU LOUVRE, BUDAPEST, France.

alb3905284 Jeunes filles au piano Young Girls at the Piano. Date/Period: 1892. Painting. Oil on canvas. Height: 1,160 mm (45.66 in); Width: 900 mm (35.43 in). Author: Pierre-Auguste Renoir.

alb4156889 Pablo Picasso (Málaga, 1881-Mougins, 1973). Study for the Head of "Nude with Drapery" (1907). Watercolor and gouache on brown paper. 31 x 24.5 cm. Museum: Museo Nacional Thyssen-Bornemisza, Madrid.

alb4139423 Valance (Needlework). Italy or Spain. Date: 1650-1700. Dimensions: 47.5 x 217.7 cm (18 3/4 x 125 in.)Width repeat: 158.8 cm (62 1/2 in.). Linen, plain gauze weave; embroidered in darning stitches (lacis); edged with linen, crochet. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

alb3680769 Madonna and Child with the Young Saint John the Baptist. Artist: Fra Bartolomeo (Bartolomeo di Paolo del Fattorino) (Italian, Florence 1473-1517 Florence). Dimensions: 23 x 17 1/4 in. (58.4 x 43.8 cm). Date: ca. 1497.Mother and child are shown in a softly lit domestic interior with a view out the window of a mill copied from a painting by Hans Memling, whose portraits were prized among Florentines. By contrast, the lively play of hands, the elaborate configuration of the drapery, and the treatment of light are Fra Bartolomeo's response to the work of Leonardo da Vinci. Fra Bartolomeo was among the most creative painters in late-fifteenth-century Florence. This work was painted before he joined the Dominican order. Museum: Metropolitan Museum of Art, New York, USA.

alb3610217 Study of a Woman and Child. Artist: Sir Joshua Reynolds (British, Plympton 1723-1792 London). Dimensions: sheet: 10 1/2 x 7 1/4 in. (26.7 x 18.4 cm). Date: 1745-92.The woman's seated pose is remarkably dynamic: as she turns to gaze over her shoulder, curls tumble from her coiffure, and folds of drapery spill across her lap, revealing slender legs crossed at the ankles. By contrast to the careful articulation of her face, her fingers are only schematically indicated, while the contours of the child's naked body are succinctly described in short strokes of black chalk. This rare compositional study by Sir Joshua Reynolds--the leading British portrait painter of the eighteenth century, first president of the Royal Academy, an influential theoretician of art, and a distinguished collector--is not related to any known painting. But its allusion to the Madonna and Child, and severely classicizing, Michelangelesque style link it to the artist's most accomplished grand-manner portraits of the 1770s. Museum: Metropolitan Museum of Art, New York, USA.

alb2651848 Ford Madox Brown (British, 1821 - 1893), Two Drapery Studies, c. 1844, black chalk on laid paper.

akg1125195 Bernini, Giovanni Lorenzo (Gianlorenzo). 1598-1680. "Die Verzückung der hl. Theresa", um 1647. Vorstudie oder Kopie der Marmorgruppe in der Cappella Cornaro in S. Maria della Vittoria, Rom. Terrakotta, H. 46 cm. Inv. Nr. 619. St. Petersburg, Staatliche Ermitage. Museum: St. Petersburg, Staatliche Ermitage.

alb4110852 Study of a sleeve with a hand. Draughtsman: Simon Andreas Krausz. Dating: 1770 - 1825. Measurements: h 144 mm × w 128 mm. Museum: Rijksmuseum, Amsterdam.

alb5176509 Archbishop's Throne and Canopy; Six Separate Studies for a Throne, Prie-Dieu, and Canopy, Hippolyte-François Joseph Equennez, 1772 1854, Pen and black ink, brush and watercolor, white gouache, traces of black chalk, ruled border in pen and black ink on heavy white paper, Elevation of an elaborate throne and canopy at the center, rendered in full color; side elevation of canopy, in line, right. Side elevation of throne and other details, in line, left. The canopy is composed of a flat dome, supported at rear by Ionic pilasters, unsupported at front. Dome surmounted by cross and plumes. Drapery behind it, bearing design of ecclesiastical motifs, a panel of the Lamb of God, directly above throne., Tournai, Belgium, 1808, furniture, Drawing, Drawing.

alb5175975 Two Studies of a Man, Giuseppe Passeri, Italian, 1654 - 1714, Red and white chalk on rough blue paper., Vertical rectangle. Recto: a young man who is stooping over to grasp a cloth, and who is turned toward right. Details of the head and the drapery on the lower half of the page. Verso: a male nude shown from the left back, turned toward left. Below at right is a repitition of the right foot., Italy, late 18th century, Drawing, Drawing.

alb5082542 Lady Mortimer's Welsh Song, Robert Smirke, 17521845, British, 1825, Pen and brown ink, brown wash, gouache, and oil, partially varnished on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper, Sheet: 6 15/16 x 4 5/16 inches (17.7 x 11 cm) and Image: 5 3/8 x 4 inches (13.6 x 10.1 cm), drapery, figure study, Henry IV, part I by William Shakespeare, house, listening, literary theme, manor, men, nobles, palace, plays by William Shakespeare, singing, sitting, song, Welsh, women.

alb5086595 A Venetian Courtesan, Print made by John Faber the Younger, ca. 16951756, Netherlandish, active in Britain, after Philippe Mercier, 1689 or 16911760, Franco-German, active in Britain (from 1716), 1739, Mezzotint on medium, slightly textured, cream laid paper, Sheet: 13 5/16 x 9 5/16 inches (33.8 x 23.7 cm), Plate: 12 7/8 x 8 7/8 inches (32.7 x 22.6 cm), and Image: 11 5/8 x 8 13/16 inches (29.5 x 22.4 cm), courtesan, drapery, earrings, figure study, gesture, gown, Grand Tour, hairpiece, jewels, window sill, woman, Venice.

alb5202528 Madonna and Child, Study after Lodovico Carracci, Felice Giani, Italian, 17581823, Pen and brown ink, brush and brown wash over traces of black chalk on white laid paper, Seated Madonna with Child on her lap; suggestion of column and base and draperies in the background., Italy, Italy, 1815, figures, Sketchbook folio, Sketchbook folio.

alb5203162 Study for 'The Atlantic Cable Projectors', Daniel Huntington, American, 18161906, Graphite, white chalk on blue wove paper, Center, a booted foot. Right, a right hand holding drapery. Verso: A booted foot., USA, USA, 1894, figures, Drawing, Drawing.

alb5095487 Classical Figure, Edward Burne-Jones, 18331898, British, undated, Graphite on moderately thick, slightly textured, cream wove paper, Sheet: 10 x 6 1/4 inches (25.4 x 15.9 cm), Classical, drapery, figure, figure study, robe, shawl, toga, woman.

alb5188190 Study for a Mural, Francis Augustus Lathrop, American, 1849 - 1909, Charcoal and red chalk on cream wove paper, Cartoon, probably for a mural. Female figure in drapery, standing facing frontally. Pinholes following lines of figure and drapery., USA, ca. 1895, figures, Drawing, Drawing.

alb5187968 Study of an Arm for Portrait of Mrs. Rutherford B. Hayes, Daniel Huntington, American, 18161906, Black crayon and white chalk on grey-brown paper, Study of a right arm extending from below the shoulder. Drapery and shadow around the lower arm filled in., USA, USA, 1880, figures, Drawing, Drawing.

alb5110056 The Magdalen, Print made by Prince Rupert, 16191682, British, after Matthew Merian, 16211687, Swiss, 1659, Mezzotint on medium, slightly textured, cream, laid paper, Sheet: 9 1/8 × 6 3/4 inches (23.2 × 17.1 cm), Plate: 9 × 6 9/16 inches (22.9 × 16.7 cm), and Image: 8 1/8 × 6 3/16 inches (20.6 × 15.7 cm), awe, Christianity, cloth, drapery studies, gazing, hands, New Testament, portrait, prayer, religious and mythological subject, saint, woman.

alb9528995 Winged figure shown from feet, on clouds, recumbent and sleeping. The wind blows the drapery upward. Date: 1880-95. Brush and brown watercolor, graphite on brown paper. Museum: Cooper Hewitt, Smithsonian Design Museum.

alb5188184 Study of Drapery, Walter Shirlaw, American, b. Scotland, 18381909, Graphite on grey wove paper, A figure is shown stepping down from a ledge or step. The right arm is bare and holds a staff upward. The left hand holds the front of the garment. Below, at right, a study of the drapery around the bust, where the cloak fastens at the neck., USA, 187580, figures, Drawing, Drawing.

alb5175439 Drawing Studies with Woman's Face and Man Reclining, and Right Hand with Forearm, Charcoal and white heightening on rough grey paper, A woman's head, with a right had to her forehead, is depicted in the top right corner. Below, a male figure, depicted from the torso upward, with ample drapery, has his right hand in a similar position; verso: a right hand, depicted with part of a forearm, leans upon something but points of index and third fingers are not shown., Italy, late 17th century, figures, Drawing, Drawing.

alb5190266 St. George, Detail from a Polytich with Virgin Enthroned, Study after Dosso Dossi, Felice Giani, Italian, 17581823, Pen and brown ink, brush and brown wash, over traces of black chalk on white heavy wove paper, St. George standing with his body seen in profile, gazing out of picture towards spectator, over left shoulder; at his feet, dragon. Draperies billow at right., Italy, Italy, 182122, figures, Sketchbook folio, Sketchbook folio.

ado00062487 Stduy of female nude (France). Ca. 1850. Photograph by Charles Ngre.

alb5062854 The Garland Weavers, Drapery Study, 1866-1867 Artist: Edward Burne-Jones Full length figure, head seen in profile, holding drapery., Art Movement, Pre-Raphaelite, Drawing, Pencil, Women, Works on Paper.

alb5064492 Chaucer's 'Legend of Good Women', Drapery Study for Figure of Phyllis, 1863-1864 Artist: Sir Edward Burne-Jones, Art Movement, Pre-Raphaelite, Mediaeval, Drawing, Pencil, Women, Works on Paper, Literature, Geoffrey Chaucer.

alb5065849 Chaucer's 'Legend of Good Women', Drapery Study for Figure of Lucretia, 1863- 1864 Artist: Sir Edward Burne-Jones, Art Movement, Pre-Raphaelite, Drawing, Pencil, Women, Works on Paper, Literature, Geoffrey Chaucer.

alb5065939 Female, Drapery Study for Lower Half of Figure, 1865-1866 Artist: Sir Edward Burne-Jones, Art Movement, Pre-Raphaelite, Drawing, Chalk, Women, Works on Paper.

alb4121728 Drapery studies and a head. Draughtsman: Jac van Looij. Dating: 1865 - 1930. Measurements: h 422 mm × w 297 mm. Museum: Rijksmuseum, Amsterdam.

alb4123027 Drapery study of kneeling man, to the left. Draughtsman: Jean Grandjean. Dating: 1765 - 1781. Measurements: h 376 mm × w 442 mm. Museum: Rijksmuseum, Amsterdam.

alb5185415 Study for Head of the Madonna, Francis Augustus Lathrop, American, 1849 - 1909, Graphite and black crayon on tracing paper, Woman in drapery looking down and to the left., USA, ca. 1895, figures, Drawing, Drawing.

alb4118626 Preliminary study for the Eerste Bossche Wand: drapery studies of standing soldiers. Draughtsman: Antoon Derkinderen. Dating: 1869 - 1925. Measurements: h 354 mm × w 506 mm. Museum: Rijksmuseum, Amsterdam.

alb4116166 Study of a child wrapped in a blanket. Draughtsman: Annibale Carracci. Draughtsman: Giacomo Cavedone. Draughtsman: Domenichino. Dating: 1588 - 1660. Measurements: h 250 mm × w 380 mm. Museum: Rijksmuseum, Amsterdam.

alb5174357 Study for woman, Vintage Festival, Mendelssohn Glee Club, New York, NY, Robert Frederick Blum, American, 18571903, Black pastel crayon on tracing paper mounted to board, Sketch of a female figure; Detail of drapery gathering around her sholders and knees. Shown without head, right hand and feet. The left wrist is covered by the cloth., New York, NY, USA, 18951898, figures, Drawing, Drawing.

akg5539472 Lombard, Lambert; 1506-1566. "Deux femmes drapées", 1552 (?). (Étude académique). Dessin, plume et encre brun, lavis gris, 23 x 21 cm. N. 277; album d'Arenberg; Liège, Cabinet des Estampes. Museum: München, Bayerische Staatsgemäldesammlungen.

akg1617417 Fiedler, Johann Christian 1697-1765. "Kostümstudie einer Dame", um 1725. Tempera auf Leinwand, 16,5 × 13,2 cm. Inv. Nr. D 8 Nr. 266/2a. Darmstadt, Hessisches Staatsarchiv. Museum: Darmstadt, Hessisches Staatsarchiv.

alb5190635 Mrs. Rutherford B. Hayes, Separate Arm and Drapery Studies, Daniel Huntington, American, 18161906, Graphite, white chalk on buff wove paper, Standing female figure turned to left, gaze directed to right. Studies of left and right hands with drapery, either side., USA, USA, 1880, portraits, Drawing, Drawing.

akg7330204 Bildnis einer Frau in einer togaartigen Verkleidung. Atelieraufnahme, undatiert, um 1900. (Berlin, A. Schmoll v. E.). Aus: privates Album mit Einzelporträtfotografien vorwiegend Berliner Ateliers. Album um 1900. Fotos undatiert, ab 1870er Jahre. Berlin, Sammlung Archiv für Kunst und Geschichte.

alb5192602 Study for a dancing woman, Moods to Music, Mendelssohn Glee Club, New York, NY, Robert Frederick Blum, American, 18571903, Graphite on wove paper, Recto: Sketch of a female figure in Classical drapery dancing; Verso: Sketch of a female figure, nude, sitting on heel and seen fromt behind., New York, New York, USA, 1895, music, Drawing, Drawing.

alb5197398 Study for a seated woman, Vintage Festival, Mendelssohn Glee Club, New York, NY, Robert Frederick Blum, American, 18571903, Graphite, pastel crayon, on tracing paper mounted to board, A female figure seated with right leg bent. Study for the drapery with the square project for the head., New York, NY, USA, 18951898, figures, Drawing, Drawing.

alb5185070 Studies probably for an Adoration of the Shepherds, Red and white chalk on blue paper, Vertical composition with chalk sketch of the Shepherds. On the obverse there is a kneeling shepherd shown in profile turned to the right, with arms crossed over his breast. Studies for the right foot and for the right hand are beside, reverse, horizontally. At left is the lower part of the lying Babe shown in profile. Below are six studies for a right hand leaning upon an entablature. Above is the head of a child and an open book. At right are draperies. By the same artists as 1901-39-79, Italy, 17751800, figures, Drawing, Drawing.

akg4461751 FASHION young woman in full length. The girl portrayed wearing a long dress with striped sailor collar and bodice cinched at the waist. The recovery is performed in the studio, the background is made up of a piece of cloth clear, the chair top is covered with a damask drapery. The look of the young man is facing away from the photographer. Italy, circa 1890.

alb5168480 Studies (a) Three kneeling shepherds. (b) Two arms, Black chalk with white crayon on rough brown paper, A) Turned toward right. At left: sketch of the upper part of the body which is shown in front, with the head shown nearly in profile. At the centre, the man looks downward with the arms cross in front of his breast. At right: with raised hands and head shown in profile. B) On the reverse, two raised right arms with handles of swords separated by a sketch of a drapery. Possibly by same artist as -2059, Italy, 17251775, figures, Drawing, Drawing.

alb5165037 Study of Seated Nude Figure, Louis Schaettle, American, 18671917, Charcoal on light brown paper, Seated female nude, right arm reaching downward, left arm extended to the right, head bent forward; study of drapery at right., USA, ca. 1900, figures, Drawing, Drawing.

akg3841171 Ercole de' Roberti; um 1451/56 - 1496. "Rückenfigur einer Frau mit einem Kind", um 1475. Feder in brauner Tusche, braun laivert, weiß gehöht, auf weißem, nachgedunkeltem Papier, 24,2 x 14,7 cm. Inv. 1444 F. Florenz, Gabinetto Disegni e Stampe. Museum: Florence, Gabinetto Disegni e Stampe.

alb3467451 Studies of a woman, her hands and arms and drapery, late 18th19th century, Graphite, some red chalk, heightened with white chalk, sheet: ca. 8 11/16 x 11 5/8 in. (22.1 x 29.5 cm) (irregular edges), Drawings, Wolfgang Adam Töpffer (Swiss, Geneva 17661847 Morillon).

akg638812 Baldung, Hans, called Grien. 1484/85 - 1545. "Study of a female nude with drapery, holding an apple", undated. Pen-and-ink drawing over a preliminary drawing w. black pen, 29.9 × 16.8 cm. Inv. no. KdZ 2171. Museum: Berlin, SMB, Kupferstichkabinett.

akg638808 Dürer, Albrecht. 1471-1528. "Female Nude from Behind" (study of a a female nude from behind with drapery and a pole), 1495. Pen and ink and brush drawing, 32 × 21cm Dürer monogram added by someone else. Inv. Nr. 19058. Département des Arts graphiques,. Museum: Paris, Musée Du Louvre.

alb5129191 Artist: Edwin Austin Abbey, American, 18521911, M.A., 1897, Figure study of drapery and arm, Graphite, squared in graphite, Wove, 43 × 27.8 cm (16 15/16 × 10 15/16 in.), Made in United States, American, 19th century, Works on Paper - Drawings and Watercolors.

akg986264 Backer, Jacob 1608-1651. "Stehende Frau im Profil", um 1633. Schwarze und weiße Kreide auf blauem Papier, 33,7 × 17,7 cm. Inv. Nr. 13401. München, Staatliche Graphische Sammlung. Museum: München, Staatliche Graphische Sammlung.

alb5093680 The Murder of Duncan - Macbeth with the Daggers, Benjamin Robert Haydon, 17861846, British, between 1809 and 1811, Graphite, black chalk and white chalk on moderately thick, moderately textured, gray, wove paper, Sheet: 5 11/16 × 8 5/8 inches (14.4 × 21.9 cm), attacking, bed, daggers, drapery, figure study, guards, king (person), literary theme, men, murder, plays by William Shakespeare, shadows, sleeping, The Tragedy of Macbeth.

akg562891 Sharef, Halima Ramadan el; archaeologist at the museum in Leptis Magna (Libya). Archaeologist Halima Ramadan el Sharef in front of Roman robed statues at the Leptis Magna Museum, Department of Antiquities. Photo, 2005. Copyright: For editorial use only.

akg562883 Sharef, Halima Ramadan el; archaeologist at the museum in Leptis Magna (Libya). Archaeologist Halima Ramadan el Sharef in front of Roman robed statues at the Leptis Magna Museum, Department of Antiquities. Photo, 2005. Copyright: For editorial use only.

akg562889 Sharef, Halima Ramadan el; archaeologist at the museum in Leptis Magna (Libya). Archaeologist Halima Ramadan el Sharef in front of Roman robed statues at the Leptis Magna Museum, Department of Antiquities. Photo, 2005. Copyright: For editorial use only.

akg562890 Sharef, Halima Ramadan el; archaeologist at the museum in Leptis Magna (Libya). Archaeologist Halima Ramadan el Sharef in front of Roman robed statues at the Leptis Magna Museum, Department of Antiquities. Photo, 2005. Copyright: For editorial use only.

akg1124931 nach: Meit, Conrat um 1470/85-1550/51. "Stehender weiblicher Akt". Zeichnung, vor 1600, von Peter Paul Rubens ( 1577-1640). Feder in Braun (Figur), schwarze Kreide und Pinsel in Braun ( Draperie), schwarze Kreide ( Landschaftsandeutung), 32 x 19,1 cm. Inv.Nr. KdZ 14713. Museum: SMB, Kupferstichkabinett., BERLIN.

alb5088898 Descent from the Cross, Alfred Stevens, 18171875, British, undated, Graphite on medium, moderately textured, cream wove paper, Sheet: 5 1/4 × 8 3/4 inches (13.3 × 22.2 cm), crucifixion, descent from the cross: Christ is taken down from the cross, usually by Nicodemus and Joseph of Arimathaea who are standing on the ladders (both arms of Christ detached), disciples, drapery, figure study, genre subject, New Testament, religious and mythological subject.

alb5080459 Juliet About to Take her Sleeping Draught, Robert Smirke, 17521845, British, and / or Mary Smirke, 17791853, British, 1825, Pen and brown ink, brown wash, gouache, and oil, partially varnished on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper, Sheet: 6 1/2 x 4 1/2 inches (16.5 x 11.5 cm) and Image: 5 1/4 x 4 1/16 inches (13.4 x 10.3 cm), bed, boxes, curtains, drapery, dress, figure study, girl, literary theme, plays by William Shakespeare, Romeo and Juliet, play by William Shakespeare, sheets, sleeping, veil.

alb4116021 Study for a kneeling figure. Draughtsman: Lieven Mehus. Dating: 1640 - 1691. Measurements: h 258 mm × w 205 mm. Museum: Rijksmuseum, Amsterdam.

alb4111785 Study of a left hand in drapery. Draughtsman: Mattheus Verheyden. Dating: 1744. Measurements: h 165 mm × w 145 mm. Museum: Rijksmuseum, Amsterdam.

alb4112601 Seated woman with bare upper body. Draughtsman: Jean Grandjean. Dating: 1765 - 1781. Measurements: h 360 mm × w 263 mm. Museum: Rijksmuseum, Amsterdam.

alb4111037 Drapery study. Draughtsman: Simon Andreas Krausz. Dating: 1770 - 1825. Measurements: h 175 mm × w 161 mm. Museum: Rijksmuseum, Amsterdam.

alb4110893 Drapery study. Draughtsman: Simon Andreas Krausz. Dating: 1770 - 1825. Measurements: h 198 mm × w 150 mm. Museum: Rijksmuseum, Amsterdam.

alb9495692 Studies of Hands, 1770s-1780s, Attributed to Louis Roland Trinquesse, French, 1745 - c. 1800, 14 3/4 x 10 3/8 in. (37.47 x 26.35 cm) (image), Red chalk on white laid paper, France, 18th century, This previously unidentified drawing has recently been attributed to Louis Roland Trinquesse, a French genre and portrait painter whose accomplished red chalk studies were avidly collected in his lifetime. The depiction of hands proved difficult for Trinquesse, who often painted them as clumsy and misshapen. This shortcoming may have prompted the artist to execute some hand studies from life. His skillful handling of the chalk in this sheet and meticulous description of parts of the hands, as well as drapery and buttoned sleeves contrast with its awkward portrayal of some of the fingers. The largest hand, for instance, is shown with a disproportionately long thumb, and the hand in the middle in the sheet is also distorted, with an oddly shaped, extended thumb and arthritically strained joints and knuckles.

alb9496942 Study sheet with lying goat, a wooden bench and a drapery, print maker: Johannes Huibert Prins, 1767 - 1806, paper, etching, h 125 mm × w 148 mm.

alb9496544 Study of drapery, Hans Bol, 1544 - 1593, Study of drapery for the mantle of Mary seated in a crescent moon., draughtsman: Hans Bol, 1544 - 1593, paper, h 279 mm × w 188 mm.

alb9462047 Two men are seated on a flat barge with a hoisted sail. The skipper is standing on the back of the barge with a push pole. Also on the barge are three cows and a rider with his horse, who is bending over to drink from the water., Study sheet with reclining goat, a wooden bench and drapery, print maker: Johannes Huibert Prins, 1767 - 1806, paper, etching, h 125 mm × w 148 mm.

alb9462002 Sketch of Two Standing Figures and a Drapery Study, Cornelis Pietersz. Bega, c. 1658 - c. 1660, draughtsman: Cornelis Pietersz. Bega, Haarlem, c. 1658 - c. 1660, paper, h 220 mm × w 178 mm.

alb9453950 Studies for the Sermon of John the Baptist in the desert: male head and drapery study of a seated figure, draughtsman: Cornelis Kruseman, 1807 - 1857, paper, h 260 mm × w 390 mm.

alb9439975 Study of a Seated Youth, early 1590s, Ferraù Fenzoni, Italian, (Faenza), 1562 - 1645, 14 15/16 x 9 3/4 in. (38 x 24.7 cm) (sheet), Red chalk on cream laid paper, backed with Japanese paper, Italy, 16th century, Given that apprentices would enter a master's workshop around the age of 9 or 10, Ferraù Fenzoni likely borrowed one of his young assistants for this sheet. Here the boy poses in mounds of thick drapery while seated on a chair. The figure points directly at the artist - - a difficult pose sustained with the aid of a staff to support the boy's hand. Fenzoni represented this daringly foreshortened gesture with extraordinary skill.

alb9424920 Drapery study, Jan ter Borch, c. 1619 - before 1635, draughtsman: Jan ter Borch, (mentioned on object), Netherlands, c. 1619 - before 1635, paper, h 131 mm × w 97 mm.

alb9423719 Study sheet with standing and seated figures and a drapery, Hendrik Valkenburg, after Jacob Ernst Marcus, 1859 - 1864, Study of a peasant girl with a jug and basket, a seated and standing pipe-smoking man and seated figures, including a seated nude woman. Sheet 33 recto from a sketchbook containing 77 sheets., draughtsman: Hendrik Valkenburg, Jacob Ernst Marcus, May-1859 - Dec-1864, paper, pen.

alb9424212 Study for a Figure of Balaam (recto) and Study for a Right Arm (verso), 1682-1683, Carlo Maratti, Italian, (Roman), 1625 - 1713, 16 3/4 x 10 3/4 in. (42.55 x 27.31 cm) (image)19 7/8 x 14 1/4 in. (50.48 x 36.2 cm) (set into border), Red chalk on blue laid paper, Italy, 17th century, Carlo Maratti, arguably the preeminent painter in Rome in the late 17th century, executed this sheet of studies while designing mosaics for the Chapel of the Presentation of the Holy Virgin in St. Peter's. This boldly drawn male figure seated on clouds is the Old Testament prophet Balaam, who adorns one of the chapel's pendentives, that is, a triangular area beneath the dome. Maratti executed countless drawings for this important papal commission; at least eight extant studies can be associated with Balaam. In this one, Maratti focused on the figure's active pose, which would change very little in subsequent studies and in the final mosaic, and on the back of the sheet, he worked out Balaam's pointing hand gesture. In other drawings he continued to adjust various details, like the figure's head and the general placement of the drapery. Once every detail was perfected, Maratti, or a senior member of his large workshop, would have produced a full-scale drawing called a 'cartoon' for the mosaicist.

alb9423410 Theseus and Pirithoüs Clearing the Earth of Brigands, Deliver Two Women from the Hands of their Abductors, 1806, Marie-Joséphine-Angélique Mongez, French, 1775 - 1855, 23 3/8 × 29 1/2 in. (59.44 × 74.93 cm) (sheet)31 3/4 × 37 3/4 × 2 3/8 in. (80.65 × 95.89 × 6.03 cm) (outer frame), Black, white, blue, ochre chalks on ivory paper, France, 19th century, Mongez enjoyed success as a history paintera rare and grand achievement for a woman artist active during the Napoleonic era. She studied with Jacques-Louis David, the most influential artist in France. Mongezs paintings were exhibited at the Paris Salons from 1802 until 1827. Mongezs drawing relates to a painting exhibited at the Salon of 1806, which was acquired by the Russian Prince Youssoupoff. Plutarchs 'Life of Theseus' inspired the composition. The legendary Greek hero sought to rid his kingdom of brigands. Here, Theseus and his companion the Lapith Pirithoüs rescue two maidens from their abductors. Theseus wields a club at the bandit who attempts to flee on horseback, while Peirithoüs, after overpowering a second bandit with his sword, lowers a maiden from a rearing horse. Mongezs mastery of Davids lessons is revealed in the skillfully drawn figures, horses, and drapery all disposed in a rhythmic composition. In contrast to the passages of black and white chalks, Mongez subtly colors Pirithoüss sword sheath with light blue chalk and flesh tones in ochre chalk.

alb3897085 Three putti. Date/Period: Ca. 1750. Drawing. Pen and brown ink, black charcoal on cream laid paper; verso: pen and brown ink. Author: Filippo Falciatore.

alb4123048 Drapery study of a bent over woman. Draughtsman: Jean Grandjean. Dating: 1765 - 1781. Measurements: h 495 mm × w 377 mm. Museum: Rijksmuseum, Amsterdam.

alb9362882 Study from a Statuette of a Cupid, Étude de l'Amour plâtre; Verso: Drapery Study, Paul Cézanne, French, 1839-1906, Graphite on laid paper, France, ca. 1890, 19 1/4 x 12 3/4 in., 48.9 x 32.4 cm, ca. 1890, child, drawing, god of love, nude, pencil on laid paper, pudgy, study.

alb3716588 Drapery Study for "Mary and Elizabeth Royall". Dated: c. 1758. Dimensions: overall (approximate): 25.2 x 38.1 cm (9 15/16 x 15 in.). Medium: graphite and white chalk on gray-brown laid paper. Museum: National Gallery of Art, Washington DC. Author: John Singleton Copley.

alb3707879 Study of a Plaster Torso. Dimensions: overall: 40.6 x 50.6 cm (16 x 19 15/16 in.). Medium: graphite on laid paper, squared with graphite. Museum: National Gallery of Art, Washington DC. Author: Kenyon Cox.

alb3704325 Drapery Study for Reclining Female Study for "Painting". Dimensions: overall: 40.6 x 50.6 cm (16 x 19 15/16 in.). Medium: graphite on laid paper, squared with graphite. Museum: National Gallery of Art, Washington DC. Author: Kenyon Cox.

alb4100426 Study of a Woman (Etude de femme). Dimensions: 56 cm x 23.8 cm, 39.8 cm x 29.8 cm, 31 cm x 13.6 cm. Museum: Van Gogh Museum, Amsterdam. Author: Pierre Puvis de Chavannes.

alb4137851 Two Ecclesiastics: Study for the Disputation on the Holy Sacrament. Francesco Vanni; Italian, 1563-1610. Date: 1606-1610. Dimensions: 255 x 170 mm. Black chalk, heightened with white chalk, on blue laid paper. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

alb4151335 Three Studies for the Resurrected Christ Adored by a Female Saint and San Silvestro Gozzalini. Francesco Vanni; Italian, 1563-1610. Date: 1607. Dimensions: 255 x 170 mm. Red and black chalk, heightened with white chalk, on blue laid paper. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

alb3891609 Seated Young Woman. Date/Period: 1715/1717. Black, red, and white chalk on buff paper. Width: 171 mm. Height: 254 mm. Author: ANTOINE WATTEAU.

alb3697555 Study for "Greek Girls Bathing" [recto]. Dated: c. 1872. Dimensions: sheet: 27.31 × 12.54 cm (10 3/4 × 4 15/16 in.). Medium: crayon and graphite on wove paper. Museum: National Gallery of Art, Washington DC. Author: Elihu Vedder.

alb4228020 'Presentation of the Bride'. Italy, Circa 1610. Dimensions: 23x17 cm. Museum: State Hermitage, St. Petersburg. Author: Palma, Jacopo, il Giovane.

alb3674724 Reclining Naiad. Artist: Antonio Canova (Italian, Possagno 1757-1822 Venice) , and his studio. Culture: Italian, Rome. Dimensions: Overall (wt. confirmed): 35 × 75 × 32 1/2 in., 2558 lb. (88.9 × 190.5 × 82.6 cm, 1160.3 kg). Patron: Commissioned by John Bligh, 4th Earl of Darnley. Date: 1819-24.This is a variant of the Reclining Venus with Cupid, now in Buckingham Palace, which was made for Lord Cawdor in 1814 and ceded by him to the Prince Regent. 1970.1, commissioned by the fourth earl of Darnley, was completed by Canova's assistents after his death and delivered to the earl at Cobham Hall in Kent in 1824. The original plaster model for the Naiad, completed in 1817, is in the Gipsoteca di Possagno. Compositional prototypes include Canova's Pauline Borghese as Venus Victrix and an ancient Hermaphrodite, both in the Borghese Gallery, Rome. Numerous slight indentations throughout the marble may be visible remains of the pointing system. Museum: Metropolitan Museum of Art, New York, USA.

alb3901545 Study of Two Headless Classical Statues. Drawing. Graphite on medium, slightly textured, cream wove paper. Height: 251 mm (9.88 in); Width: 267 mm (10.51 in). Author: James Ward.

akg8831273 Study of a female model in drapery, seen from the back, in the studio of Jacques de Lalaing. Photo, 1900-1914, Jacques Lalaing. Inv. Nr. RP-F-2001-4-46. Amsterdam, Rijksmuseum.

alb3662713 [Nude Study]. Artist: Eugène Durieu (French, Nîmes 1800-1874 Geneva). Dimensions: Image: 20.5 x 12.8 cm (8 1/16 x 5 1/16 in.)Mount: 32.3 x 27 cm (12 11/16 x 10 5/8 in.). Date: 1853-54.Durieu was a lawyer and early advocate and practitioner of photography in France. In 1853-54 he made a series of photographic studies of nude and costumed figures as models for artists. The French Romantic painter Eugène Delacroix helped him pose the figures and later praised the results, from which he and other artists sketched. Often photographers posed their models in attitudes based on sanctioned works of classical statuary or Old Master paintings, ostensibly providing artists with photographic académies as an alternative to live models. The mantle of high art also served to cloak (albeit somewhat transparently) the nakedness of such images and thereby protect the photographer from the actions of the censor and the viewer from the scorn of society. Museum: Metropolitan Museum of Art, New York, USA. Author: Eugène Durieu.

akg8383765 Pierre Puvis de Chavannes. Drapery Study, second half 1800s. Drawing, Black chalk, 29 × 18.9 cm. Inv. No. 1998.308, Cleveland, Museum of Art.

alb4133685 Man Standing in Prayer (recto); Drapery Study (verso). Domenico Fiasella; Italian, 1589-1669. Date: 1550-1570. Dimensions: 385 x 159 mm. Black chalk heightened with white chalk, on brown laid paper, partially laid down on brown laid paper (recto and verso). Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

alb3621281 [Seated Female Nude]. Artist: Eugène Durieu (French, Nîmes 1800-1874 Geneva). Dimensions: Image: 6 13/16 × 4 11/16 in. (17.3 × 11.9 cm)Mount: 13 13/16 × 10 9/16 in. (35.1 × 26.9 cm). Date: 1853-54.Durieu was a lawyer and early advocate and practitioner of photography in France who, in 1853-54, made a series of photographic studies of nude and costumed figures as models for artists. The French Romantic painter Eugène Delacroix helped him pose the figures and later praised the prints, from which he sketched, as "palpable demonstrations of the free design of nature." While the painter saw the accurate transcription of reality as a virtue of photography, Durieu knew that a good photograph was not simply the result of the correct use of the medium but, more significantly, an expression of the photographer's temperament and vision. In an important article he emphasized the interpretative nature of the complex manipulations in photography and explained that the photographer must previsualize his results so as to make a "picture," not just a "copy."This photograph proves Durieu's point: through the elegant contours of the drapery, the smooth modeling of the flesh, and the grace and restraint of the pose, the picture attains an artistic poise that combines Delacroix's sensuality with Ingres's classicism, and rivals both. Museum: Metropolitan Museum of Art, New York, USA. Author: Eugène Durieu.

alb3601964 [Female Nude in Studio]. Artist: Franck-François-Genès Chauvassaignes (French, 1831-after 1900). Dimensions: 19.1 x 15.2 cm (7.5 x 6 in.). Date: 1856-59.This corner of a painter's atelier somewhere in France in the middle of the nineteenth century is scarcely tethered to time or place; it could as easily be a loft in New York today or, had photography existed four centuries earlier, a studio in the Italian Renaissance. What is surprising here is the absence of even the thinnest disguise--no swags of drapery, elaborate coiffure, or skeins of beads as are commonly found in the work of other purveyors of "studies for artists." Here, the model is utterly naked. With her intelligent head and dirty feet, this young woman helped found the matter-of-fact modeling sorority joined a decade later by Édouard Manet's Olympia. Museum: Metropolitan Museum of Art, New York, USA.

akg8252466 Francis Augustus Lathrop, 1849-1909. Drapery Study, ca. 1895. Figure, Graphite on tracing paper. Inv. Nr. 1914-38-156. Washington, Cooper Hewitt, Smithsonian Design Museum.

akg5098788 Leighton, Frederic, Lord 1830-1896. Study in Draperies, Drawing, ca. 1850-1900. Black chalk highlighted with white chalk, 22.9 × 36.8 cm. Inv. Nr. 07.262.7. New York, Metropolitan Museum of Art.

akg5093465 Pils, Isidore 1813-1875. Drapery Study for a Cleric (lower register); verso: Sleeve of a Cleric; (studies for wall paintings in the Chapel of Saint Remi, Sainte-Clotilde, Paris, 1858), Drawing, ca. 1825-1875. Black chalk, stumped, heightened with white chalk, on gray paper (recto); black chalk (verso), 47.4 × 31.3 cm. Inv. Nr. 1989.122.34. New York, Metropolitan Museum of Art.

akg5093460 Pils, Isidore 1813-1875. Monk (lower register); verso: Drapery Study for a Bishop (lower register); (studies for wall paintings in the Chapel of Saint Remi, Sainte-Clotilde, Paris, 1858), Drawing, ca. 1830-1875. Black chalk on gray paper (recto); red chalk (verso), 48.3 × 29.6 cm. Inv. Nr. 1989.122.31. New York, Metropolitan Museum of Art.

akg6007526 Edward Burne-Jones (1833-1898). Female Torso and Drapery Study, 1833-1898. Drawing, pencil. Inv. Nr. M. 39.3.29, Los Angeles, County Museum of Art.